Simply put Aladdin Sane/The Man Who Sold the World (TMWSTW) are David Bowie's most debauch records of all time and I love 'em. As a child I bought TMWSTW and was quite scared of it to start with. Then the insaneness and blackness of the record really caught hold. The obvious single was a great hit but there is some really dark heavy rock here: Width of a Circle, and She Shook Me Cold to name two. So that was 1970. I used to play this with my first real friend Mark. he didn't really get it but he did like Space Oddity which was a little more safe as an album. We did play Life on Mars b/w The Man Who Sold the World to death!
Move on to 1973, just three years, and Bowie comes out with Aladdin Sane. A drug and illicit sex driven album of such greatness that I personally don't believe any artist, including Bowie, has even matched it. Watch that Man, Aladdin Sane, Panic in Detroit, Drive in Saturday and of course The Jean Genie. It's just a brilliant album. Listen to Aladdin Sane - Mike Garson's mental piano solo is unbeatable. When I first heard it I though: what the hells that? But the way it goes way out of key and then back in is - well you listen!
As with TMWSTW, quite scary at first for a fourteen year old boy. I remember my mum and dad taking me and my brother on our annual pilgrimage to London for pre-Christmas shopping and to take in yet another tediously dull musical. We did a shop one dark afternoon (it was cold) and there was Bowie in full Aladdin Sane make-up on a full length poster in the HMV, Oxford Street window. Dad I said, I have to have that album. Dad said Bowie looked like a poof but I think he secretly quite liked it - not batting an eyelid he bought it for me. Bowie was one of those artists you were allowed to fancy, even as a male. I cant remember how much it cost BUT I do remember just wanting to go home right there and then to play it. I stayed in HMV for over an hour listening to it. When Drive in Saturday came on I almost cried - it was just something.
When we did eventually get home I rushed up to play it. When the first track side two "Time" came on I threw the stereos volume to 11 and blasted out "He flexes like a whore, falls wanking to the floor". So shocking, so androgynous and so Mick Jagger. Over the years I still feel debauch and slightly scared every time I play this album and TMWSTW. None of my friends were into Bowie in the 70's so it was a lone crusade for me which kept me a bit isolated from the rest of the world. I don't think some of my friends knew what to make of me into Floyd, van Der Graaf Generator, Bowie and Iggy - Bowie was mine and I was really glad I didn't have to share him with anyone.......and I still don't! As Bowie says on David Live - Love on ya!